yale musicology faculty

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He was the 2015-16 Artist-in-Residence at the Metropolitan Museum of Art in New York, 2017 Jazz Artist in Residence at Wigmore Hall in London, and Musical Director for the 2017 Ojai Festival in Southern California. Harvard-Radcliffe Collegium Musicum. Tutschku studied electroacoustic composition in Dresden, and between 1989 and 1991 accompanied Karlheinz Stockhausen on several concert tours for the purpose of studying sound diffusion. In addition to receiving professional training in music, students are encouraged to participate in the rich intellectual life of the entire University and to develop and pursue interests in area… 12-13) published by Cambridge University Press. Marks and William H. Marks Assistant Professor at Radcliffe Institute Outside academia, she has worked as a dramaturg and director. In addition, he is a member of the East Coast Chamber Orchestra and Ensemble DITTO. She has also served on several committees of the American Musicological Society including the AMS Council, the AMS-50 Fellowship Committee, and the Program Committee. GRAMMY Award-winning violinist Daniel Chong leads a multi-faceted career having concertized extensively as a soloist and chamber musician throughout the world. Claire Chase co-founded the International Contemporary Ensemble (ICE) in 2001, which has been extraordinarily successful in redefining the concept of a new-music group. Cortese studied literature and humanities and holds a law degree from La Sapienza University in Rome. 617-495-2791. His current research interests include process philosophy, poetic prosody, and ecological and post-cognitivist psychology. Rehding has been especially interested in reflections on very long timespans and extreme slowness. At Harvard, Morrison teaches core courses in the undergraduate theory sequence, and he has introduced graduate seminars on the analysis of musical media and on how the idea of timbre has been negotiated across different disciplinary frames. Other musical mentors that continue to influence him are Rainer Schmidt and Helmut Lachenmann. Exploring Music in a Changing World (2001, second edition 2006, third edition 2015). As a member of the Humanities Steering committee 2011–14 Rehding was part of a group that helped re-organize the humanities at Harvard and devised the Frameworks in the Humanities courses. Professor of Music, Professor of of South Asian Studies Many of her writings focus on opera, from its beginnings around 1600 through the 21st century. The wider ramifications of questions of transmission and reconstruction led Rehding to an engagement with musical media, including notation but also recording technology. Maim (2001-07), for a large orchestra and a group of soloists, and other works from the 2000s including the electronic works of the experimental studio, speculate about the physicality and motion of material. In addition to his publications, Kajikawa served as contributing editor for the Grove Dictionary of American Music, Second Edition (Oxford 2013), soliciting and editing all hip-hop and rap music related entries. Prior to his appointment at Harvard, Clark was Artistic Director of the Providence Singers and Director of Choral Activities at Tufts University for seven years. He holds a B.M. The chamber pieces from the 1990s explore the possibilities of temporal and formal divergence. Current book projects include: Philology of the Flesh. She has most recently given masterclasses at institutions such as the Eastman School of Music, Longy School of Music, Amherst College, University of Minnesota, and at the El Sistema program in Venezuela. Book Shelf, Quincy Jones Professor of African American Music, supported by the Time Warner Endowment Her prize-winning publications include Materialities: Books, Readers, and the Chanson in 16th-c. Europe (Oxford and New York, 2015), Music, Discipline, and Arms in Early Modern France (Chicago, 2005), and articles in Renaissance Quarterly and Early Music History. 2787 Vijay Iyer's wide-ranging creative work and research has spanned the arts, the humanities, and the sciences. He also served as Assistant Conductor to Robert Spano at the Brooklyn Philharmonic and to Daniele Gatti at the Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome. He specializes in contemporary musical practices from Latin America, the Caribbean, and Latinx peoples in the United States from historical and ethnographic perspectives. Abbate’s research crosses many disciplines. Cortese has conducted several prominent symphony orchestras, including Atlanta, Dallas, BBC Scottish Symphony Orchestra, Sydney Symphony and Oslo Philharmonic. Starting in 2013, she began a three-year stint as Reviews Editor for the Journal of the American Musicological Society. Yale School of Music offers its students an intimate and supportive environment in which to excel in their respective area of study. and M.M. He has also served as Director of the International Workshop in Jazz and Creative Music at The Banff Centre since 2013. In the Michaelmas term there are typically six topics: 1. historical musicology 2. current trends in music theory 3. aesthetics 4. the social and cultural study of music 5. performance 6. composition You may participate in as many of these seminars as you wish. His choirs have been hailed as “first rate” (Boston Globe), “cohesive and exciting” (Opera News), and “beautifully blended” (Providence Journal), achieving performances of “passion, conviction, adrenalin, [and] coherence” (Worcester Telegram). As a cellist, she performed with the Toronto Symphony Orchestra, the Calgary Philharmonic, the Canadian Opera Company, National Ballet of Canada, and participated in studio productions that included films and commercial work in Toronto. Her book Analyzing Schubert was published by Cambridge University Press in 2011. The musicology faculty at Michigan is diverse in its research practices and intellectual orientations, and embraces many methods of inquiry-from source studies, archival research, musical historiography, cultural history, and ethnography, to critical theoretical studies in music and gender, sexuality, and race. She held a Junior Research Fellowship (1996–1999) and a British Academy Postdoctoral Fellowship (1999–2000) at Merton College, Oxford. Recent publications have dealt with sound technology in the machine age (“Sound Object Lessons,” 2016), cognitive disjunction and ephemeral art (“Overlooking the Ephemeral,” 2017), and operetta (“Offenbach, Kracauer, and Ethical Frivolity,” 2017). She pursued her PhD at the University of California San Diego, studying with Roger Reynolds (dissertation advisor) and Brian Ferneyhough. A strong advocate for new music, he has premiered new works by György Kurtág, Lera Auerbach, and Jeremy Gill. Theory Dedicated to advancing the dialogue between faith and reason, Catholic University seeks to discover and impart the truth through excellence in teaching and research. Czernowin founded a course for young composers at the Akademie Schloss Solitude near Stuttgart with her husband, the composer Steven Takasugi, and Jean Baptiste Joly, as well as a course in Israel at the festival Tzlil Meudcan along with Yaron Deutsch.  Visiting Associate Professor of Music Rathey studied musicology, Protestant theology, and German in Bethel and Münster. This was a seminal time in the development of her compositional language.  Shreffler is currently working on a book project, entitled "Musical Utopias: Progressive Music and Progressive Politics in the Twentieth Century" (under contract with University of California Press). His latest release, the GRAMMY Award-nominated “New Throned King” (5Passion, 2014), features music based on Arará cantos and rhythms and has been called the “musical culmination of his spiritual exploration” (All About Jazz). She developed this style of composing as a way to pivot between creative practice and research while investigating how darkness, spatial audio, and interactivity affect the audience’s engagement with narrative in electroacoustic music listening experiences. Also: Copland and his World (Princeton); Colin McPhee: Composer in Two Worlds (Smithsonian); A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock (University of Michigan); and American Music Recordings: A Discography of 20th-Century U.S. Composers (Institute for Studies in American Music). Bild oder Text?, E.Goebel, ed. Since 2002, as the founding first violinist of the Parker Quartet, he has garnered wide recognition for his performances in such venues as Carnegie Hall, the Library of Congress, the Musikverein, and Wigmore Hall. Individually, Jessica has appeared at the International Viola Congress, as a guest of the East Coast Chamber Orchestra, and been a finalist for a Pro Musicis Award, and as a founding member of the Parker Quartet, she has won a Grammy Award, the Cleveland Quartet Award, the Bordeaux International String Quartet Competition, and the Concert Artists Guild Competition. Forty to sixty undergraduate concentrators and 70 graduate students with equally wide-ranging interests comprise our student population. website, esperanza spalding aims to ignite and portray various hues of vital human energies through composition, singing, bass playing and live performance, with the intention of offering these sound-energies as an aide for connecting with latent portals of unity consciousness and health. From 2014–2016 she served as Artist in Residence at the Institute for New Music at Northwestern University’s Bienen School of Music, and she has been appointed Co-Artistic Director of the Summer Classical Music Programs at the Banff Centre in Canada, starting with the 2017 summer season. Shelemay was named the Chair in Modern Culture at the John W. Kluge Center of the Library of Congress during August and September, 2007 and June, 2008. Chitra Ramalingam Lecturer in History; Postdoc Assoc FAS Faculty 320 York St, New Haven, CT 06511-3627 chitra.ramalingam@yale.edu 203-432-1049 Chitra Ramalingam Website "Die Erziehung des Teufels: Über Hoffmanns Berganza-Novelle," Hölderlin-Jahrbuch 36 (2009), 75 – 84. A co-edited volume with Felix Meyer, Carol Oja, and Wolfgang Rathert, Crosscurrents: American and European Music in Interaction, 1900-2000 (The Boydell Press, 2014), resulted from an international conference held at Harvard and at the Ludwig-Maximilians-Universität in Munich. In 2011, he conducted the Boston premiere of John Adams’s Pulitzer Prize–winning On the Transmigration of Souls with the composer present. Mr. Chong has performed at several major music festivals including the Marlboro Music Festival, Mostly Mozart, Yellow Barn Music School and Festival, Bridgehampton Chamber Music Festival, and the Perigord Noir Music Festival. In 2014 he was named the Franklin D. and Florence Rosenblatt Professor of the Arts at Harvard University. He joined the Harvard faculty in 2002 as the Walter W. Naumburg Professor of Music. vijay-iyer.com He finished a DEA (master in musicology) at the Parisian Sorbonne and completed his PhD in Composition with Professor Dr. Jonty Harrison at the University of Birmingham in UK in 2003. In 2007-08 she was the recipient of a fellowship from the John Simon Guggenheim Memorial Foundation. all this with the aim of reaching a music of the subconscious which goes beyond style conventions or rationality. Visiting Faculty He currently serves as co-editor of “Tracking Pop,” the University of Michigan Press’s series of books about popular music, and as a senior editor for Oxford Handbooks Online. Bick received her MM. He has been featured as Artist-in-Residence at the Metropolitan Museum of Art (New York), Wigmore Hall (London), the Molde Jazz Festival (Molde, Norway), and Jazz Middelheim (Antwerp, Belgium), and served as Music Director for the 2017 Ojai Music Festival in southern California. 203-432-6374. The musicolo… The Interface of Biology and Culture (with Sarah Coakley), published by Harvard University Press in 2007. Hölderlin," Poetica 33 (2001), 445 – 64. At Harvard he serves on a number of committees, including The Office for the Arts, and he has been Chair of the Composer Fellowship Committee at the Radcliffe Institute for Advanced Studies. At the graduate level, she has taught Schenkerian Analysis (MUS 222r), Neo-Riemannian Theory (MUS 223r), Current Trends in Music Theory (MUS 221r), Quirks in the Major-Minor System (MUS 220r), and Theory and Analysis of Sonata Forms (MUS 230r). His research topics include Argentine and Uruguayan avant-garde music, soccer chants as participatory music making, and music and postcoloniality in Latin America. He leads the Holden Choruses in performances throughout Europe and the United States, in studio recordings, and collaborations with distinguished conductors, composers, and ensembles. Music Theory The music theory area offers outstanding instruction for Penn State undergraduate music majors in the intellectual and aural comprehension of the … "Canis canens, oder Kafkas Respekt vor der Musikwissenschaft," Kafkas Institutionen, A. Höcker/O.Simons (Bielefeld, 2007), 145 – 156. Shelemay received a B.M. Suhnne Ahn joined the musicology faculty at Peabody Conservatory in 1997 after completing her Ph.D. in musicology from Harvard University. In 2005 - 06 he was a resident fellow at the Wissenschaftskolleg zu Berlin. And he hopes to soon publish two articles highlighting his recent archival work with post-spectral music: the first presents lost recordings and previously unreported sketches for Finnish composer Kaija Saariaho’s early electronic works, showing how they correspond with her development of a customized computer program dubbed “transkaija”; the second takes British composer Jonathan Harvey’s orchestral work, Speakings (2008), as a point of departure for a genealogical analysis of how the idea of timbre came to be constructed in computer-assisted orchestration software. Phone: (519) 253-3000 ext. Music, Madness, and the Unworking of Language (Columbia, 2008) -link- [German translation: Musik, Wahnsinn und das Außerkraftsetzen der Sprache, trans. He, along with the members of the Parker Quartet, will begin teaching at Harvard University's music department beginning Fall of 2014. She co-edited Music Theory and Natural Order from the Renaissance to the Early Twentieth Century (Cambridge University Press, 2001; pbk 2005) with Alexander Rehding, and co-edited Citation and Authority in Medieval and Renaissance Musical Culture: Learning from the Learned (Boydell & Brewer, 2005) with Elizabeth Eva Leach. ... Yale Divinity School Library 409 Prospect Street New Haven, CT 06511 L-203. Harvard College Alumni She received the Society for Ethnomusicology Jaap Kunst Prize in 2010 for her article, “The Power of Silent Voices.” Shelemay received an Award for Distinguished Teaching from the Columbia University School of General Studies in 1982, and at Harvard, the Joseph R. Levenson Memorial Teaching Prize and the Phi Beta Kappa Teaching Prize, both in 2006, and the Everett Mendelsohn Excellence in Mentoring Award in 2014. Carol Oja's WEBSITE, Fanny Peabody Professor of Music Shreffler serves on advisory and editorial boards of a number of musicological journals and institutions in the U.S., Germany, and Switzerland, including the Paul Sacher Foundation in Basel and the journal Archiv für Musikwissenschaft. Associate Professor: Musicology. 617-495-2263. Stanley A. Dr. Bick is an Academic Advisor for Music students. At Westminster, you will learn American and public musicology from our distinguished faculty of renowned musicians, as well as professional public musicologists from such prominent institutions as the Rock ‘n Roll Hall of Fame and Museum, the New York Philharmonic, the New Jersey Symphony, the Alice Paul Institute and the Oral History of American Music Institute at Yale University. Originally from Southern California, Mr. Chong's major teachers were Robert Lipsett, Donald Weilerstein, and Kim Kashkashian. She taught at Columbia University (1977-1982), New York University (1982-1990), and Wesleyan University (1990-1992), before joining the Harvard faculty in 1992. Her articles have appeared in Critical Inquiry, Ethnomusicology, Journal of the American Musicological Society, and many other venues. Monson has been awarded many honors including book awards from the Society for American Music and the International Association for the Study of Popular Music, a Guggenheim Fellowship, a Radcliffe Institute Fellowship, and a Stanford Humanities Center fellowship. Terry photo by Bill Dougart. Author of two monographs and editor of three collections, Wolf has published on such topics as social-cultural “style” in South Indian classical music, conceptions of space, time and music among the Kota tribal people in the Nilgiri Hills of south India, and drumming, “recitation,” and music in public Islamic contexts in India and Pakistan. Tobias Janz, Jan Sprick (2011); “Learning in Time” in Visions of Research in Music Education, vol. A monograph on Beethoven’s Ninth Symphony appeared in 2017. Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century, co-edited with Charles Hiroshi Garrett , is forthcoming from the University of Michigan Press, and she is at work on a book provisionally titled Civil Rights in the Concert Hall: Marian Anderson and the Racial Desegregation of Classical Music. Historical Musicology (Pittsburgh Tribune) He has participated in many prestigious festivals, including the Mostly Mozart Festival, the Kronberg Cello Masterclasses and Festival, the World Cello Congress III, the Aspen Music Festival, and Music Academy of the West, among others. Office: Armouries, AM 226 Brian Hulse, Nick Nesbit (2010); “If Music is Ongoing Experience, What Might Music Theory Be: A Suggestion from the Drastic” in Musiktheorie/ Musikwissenschaft: Geschichte-Methoden-Perspectiven, eds. arehding@fas.harvard.edu She co-edited (with David Trippett) a themed issue of the German journal Musiktheorie on Rudolf Kolisch in America. His concert works are published by Schott Music. D. in Musicology from Columbia University in 1984. Other artists that he has collaborated with include David Soyer, Kim Kashkashian, Shai Wosner, Roger Tapping, and members of the Cleveland and Tokyo Quartets. She is director of the Jazz Initiative at the Hutchins Center for African and African American Research, which has overseen the acquisition of the archives of pianist Randy Weston in 2016, and the production of Timeless Dreams and Portraits: A Festival/Symposium in honor of Geri Allen in 2018. She completed her Doctorate in Musicology at the University of Edinburgh, UK. In 2012, she served as Chair of the Publication Awards Committee for the Society for Music Theory. A current research project (with Daniel Chua) bears the exceptionally modest title An Intergalactic Music Theory of Everything (IMTE). At Yale, students selected from all parts of the world are brought together to study with a distinguished faculty. "Integration, Subversion and the Rape of Europa: Heinrich Böll’s Er kam als Bierfahrer," Comparative Literature 58 (2006): 387 – 402. Their unmatched musical lineage, in turn, links students to the classical masters. Graduate Advisor in CPCI, spring 2021 Assistant Professor: Violin. She has served on the editorial boards of Music Analysis and Music Theory Spectrum and is currently on the advisory board for Music Analysis. A native of Seoul, Korea, cellist Kee-Hyun Kim has been praised for his "assertive style...and vital musical spirit." Jackson joins the Creative Practice and Critical Inquiry graduate program and will also teach for Theater, Dance and Media (TDM). 201S from the same institution. He has given masterclasses throughout the world and has taught extensively for El Sistema in Venezuela, the University of Minnesota, and University of South Carolina. bdshelley@fas.harvard.edu In 2014 Iyer joined the Harvard faculty as the Franklin D. and Florence Rosenblatt Professor of the Arts in the Department of Music, where he founded its doctoral program in Cross-Disciplinary Music Studies and offers courses in critical studies and creative music-making. 2010 ) opera Belgium, IRCAM paris and Mannheim Stadtheater in turn, students. By Harvard University 's music department graduate students receive tuition scholarship and a 12-month stipend for National. Ramifications of questions of transmission and reconstruction led Rehding to an engagement with the Parker Quartet, will begin at. 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